http://www.deeplyproblematic.com/2009/08/normalization-of-maleness-and-whiteness.html
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]]>Light lagers have nothing to talk about. It’s like asking a paper napkin company to stand out from the competition. I mean, macro beer is just a manufactured item built to spec for an intended purpose. The liquids are no different. Hence, their advertising usually has nothing to do with the product and far more to do with brand strengthening. I liken it to an overzealous teenage girl who just HAS to be followed by 1000 people on Facebook. She needs to build her personal brand to appeal to the largest audience.
Craft beer celebrates diversity and complexity, which isn’t the path of mass production, it’s the path of the artisan. And, given how awesome it is that tons of craft beers are produced by hand, and are a genuine reflection of the people at the helm, craft can stand simply on the merits of the liquid. In a sense, it’s something real. So, craft beer ads are usually about the product itself and don’t need kneejerk ads to increase sales. Also, the craft market is steadily growing, so brewers aren’t really fighting violently in the ad world for for a slice of a largely spoken-for pie, as macro lagers are.
I don’t look at raunchy ads so much as an issue of feminism but of stagnance and complacency. Life is change, and many of these macro products haven’t changed in a very long time. These brands are dying giants in a very real sense. They don’t have anything new to advertise besides a toilet bowl bottleneck and color changing cans. But, because their only motivating factor is profitability, they still are required to go out and fight with whatever bullshit tools they can think up to grow their share of market. So their ads play off of the genetic makeup of humans.
People know what macro beers are. They’re everywhere. So they advertise with “primal instinct” triggers like humor and sex to get us to identify with the brands on an emotional level. It’s like McDonald’s featuring salt, sugar, and fat – the key primal instinct ingredients. Everything they produce is based on featuring saltiness, sweetness, or fattiness, or some combination of them, because humans are subconsciously drawn to seek out those things. Beer advertising is no different, they show people having good times, relaxing, appealing women, jokes, and a bevy of other tools in order to lead consumers to identify with the “reasons” people buy their brand.
Take Miller’s new set of commercials, whose formula features one oddball being ostracized from social settings for drinking the “wrong” beer. Each oddball also features one thing that is socially unacceptable, from the wrong barhopping outfit to the wrong swimwear to, for some inexplicable reason, having his mom sitting a table away as he is out with friends. These messages play off of people’s instinct to belong to a larger group. To me, I don’t buy in to the emotional attachment to a company’s message. But a ton of people do. That’s why ad firms keep generating these types of campaigns.
So yes, degrading women is bad, but to be honest, most marketing schemes used to advertise macro beers are bad.
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